SELECTED POEMS

---

PRINT

• “They Say Time Will Tell, But I've Got a Brick and a Storm Cellar That Say Time Better Keep Its Mouth Shut" Kestrel: A Journal of Literature and Art (Fall 2023)
• Not Even Robert Stack Could Figure Out Why I’m Here, So You Can Quit Asking” and “I’ve Always Been a Sucker for Good Pick Slide” Moon City Review  (Spring 2023)
• “Screening Test” Fourteen Hills (Spring 2019)
• “Velvet” The Briar Cliff Review ​(Spring 2019)
• “Gun-Adept," and "When Summer Seemed Longer" Kestrel: A Journal of Literature and Art (Spring 2019)
• "Cantaloupe" The Minnesota Review (Spring 2019)
• "The Clubhouse" Appalachian Heritage (Summer 2019)
• "Self-Portrait as Bower Bird" Salamander (Summer 2018)
• "Boys Will Be Boys: A Confession" Crab Orchard Review (Summer 2018).
• "Self-Portrait as Seam Sewer" Harpur Palate (Spring 2018)
• ​"Self-Portrait as the Second Son," "Compromises" The New Territory, Issue 5 (Spring 2018).
• "Inertia" The Emerson Review, Vol. 46 (Summer 2017)
• “Crow’s Feet” Appalachian Heritage Vol. 44 Issue 2 (Spring 2016).
• “Hospitals” The Ear, Vol. 20 (Spring 2016).
• “The Aspen Crevices of the Chest” Blue Earth Review, Issue 16 (Spring 2016).
• "Earth Chimes." Milkfist, Issue 1. (Fall 2015).
• "Colonists." The Altar Collective, Vol. 8 (Summer 2015).​​
• “Punctuation,” “Semicolon,” “Sent from My iPhone.” The Idiom, Vol. 9 Issue 2 (November 2013).
• “Porcelain” and “A Blotch of Gilded Feathers.” The Gap-Toothed Madness, Issue 3 (Fall 2013).
• "He the Photographer" and "Ink." Whetstone, Issue 32 (Fall/Spring 2013).
• "Soldier On," "Another," and "Gossamer Skyscrapers Cannot Stand" Aisthesis Honors Student Journal, vol. 6, issue 1 (spring 2013)

ONLINE

• "But You Got Away With Murder" and "Self-Portrait as Crash Test Dummy," COUNTERCLOCK, Pop Punk Poetics folio (forthcoming Spring 2024)
• "Make Sure to Smile and Greet Students as You Guide Them Through the Weapons Detection Checkpoint," Superstition Review (2024)
• "Self-Portrait as the Flatwoods Monster Struggling to Open an Obstinate Jar of Peaches," ballast (Spring 2024)
• "Homecoming" and "My Son Tried Skydiving Today and I Didn't Like It" FEED (forthcoming 2024)
• "I'm Not Saying Your Garden is Full of Snakes, but I'm Also Not Saying It Isn't" Gastropoda (Winter 2023)
• “Self-Portrait as Mothman” Stone Circle Review (Spring 2023)
• ​“What The King's Son Knows of Royalty" The Madrigal (Spring 2023)
• "Call It What It Is" The Ear (Spring 2022)​
• “What I Misunderstood When Captain Kirk Double-Kicked Wyatt Earp" Yes Poetry (Spring 2019)
• "As Lazarus,” “Self-Portrait as Sin Eater” EcoTheo Review (Fall 2018)
• "You Remember This" Atticus Review (Spring 2018)
• "Seventeen Years," "Clearing the Air," "What I Could Have Been," "Where the Bells Went" Ginosko Literary Journal, Issue 19 (Summer 2017).
• "Full Circle" Public Pool. (Summer 2017)
• "Animals," "Real," "Stray" The Passed Note, Issue 4 (Summer 2017)
• "A Lesson in Economics," "The Gutter Saints" Rising Phoenix Press (Fall 2016).
• “Braille Constellations”, “One Way Mirrors” ELKE: A Little Journal (Fall 2016).
• “Bleary”, “Monstro” Noble / Gas QTRLY, Issue 203.3 (Fall 2016)
• “Clarity” Burnt Pine Magazine, (Summer 2016)
• "Young Lovers." The Passed Note, Issue 1 (Summer 2016).
• "Conclusions." Rust + Moth (Summer 2015).
• "Bastard." Poemeleon, Volume 8: The Disobedient Issue (Summer 2015).
• "In Plain Sight" and "Aversion." Arsenic Lobster, Issue 38 (Summer 2015).
• "Forestry," "Rudderless." The Eunoia Review (Summer 2015).
• “Perspective” Dirty Chai, Issue 1: Dark&Dirty (Fall 2013).
• “Undone” Yorick Magazine, Volume 2 (Summer 2013)​

STORIES

---

PRINT

ONLINE

• “The Chicago of His Mind.” Whetstone, Issue 32 (Fall/Spring 2013): 35-37.

• "There's Something in the Water." The Writers Arena. Issue 39.
• "Contracts." The Writers Arena, Issue 13.

REVIEWS, CRITICISM, & OTHER PROSE

---

• "Open Eyes, Open Hands: Tenacity and Grief in Renee Emerson’s Church Ladies." Atticus Review, 2024.
• “Writers Welcome: The OSU Writing Center." Ian C. Williams, Lyn Broyles, Laura Tunningley, and William Tunningley. In Lynn C. Lewis's Inquiry, Research, and Argument at Oklahoma State University (2018):  15-20. Fountainhead Press.
• “Fixed In Limbo: A Review of Gaylord Brewer’s Country of Ghost.” Kestrel, Issue 35 (2016): 110-111.
• “Traversing Disconnection: A Review of Later, Knives, & Trees.” Kestrel, Issue 34 (2015): 146-147.​
• “Ghostlore: Collected by Ruth Ann Musick.” Traditions: A Journal of West Virginian Folk Culture and Educational Awareness, Vol. 13 (2012-2013): 22-30.

PHOTOGRAPHY

---

PRINT

ONLINE

• "Cracks" and "Utility." Driftwood Press, Volume 3, Issue 2 (Spring 2016).
• “Push the Merchandise.” Whetstone, Issue 32 (Fall/Spring 2013)

• “Cracks”, “Utility” Driftwood Press, Volume 3, Issue 2 (Spring 2016).
  
• “Submerged”, “Memory 1” Sediments Lit, A Haunting (Fall 2015).