Publications

SELECTED POEMS

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“They Say Time Will Tell, But I've Got a Brick and a Storm Cellar That Say Time Better Keep Its Mouth Shut" Kestrel: A Journal of Literature and Art (Spring 2023)
Not Even Robert Stack Could Figure Out Why I’m Here, So You Can Quit Asking” and “I’ve Always Been a Sucker for Good Pick Slide” Moon City Review (Spring 2023)
“Screening Test” Fourteen Hills (Spring 2019)
“Velvet” The Briar Cliff Review (Spring 2019)
“Gun-Adept," and "When Summer Seemed Longer" Kestrel: A Journal of Literature and Art (Spring 2019)
"Cantaloupe" The Minnesota Review (Spring 2019)
"The Clubhouse" Appalachian Heritage (Summer 2019)
"Self-Portrait as Bower Bird" Salamander (Summer 2018)
"Boys Will Be Boys: A Confession" Crab Orchard Review (Summer 2018).
"Self-Portrait as Seam Sewer" Harpur Palate (Spring 2018)
"Self-Portrait as the Second Son," "Compromises" The New Territory, Issue 5 (Spring 2018).
"Inertia" The Emerson Review, Vol. 46 (Summer 2017)
“Crow’s Feet” Appalachian Heritage Vol. 44 Issue 2 (Spring 2016).
“Hospitals” The Ear, Vol. 20 (Spring 2016).
“The Aspen Crevices of the Chest” Blue Earth Review, Issue 16 (Spring 2016).
"Earth Chimes." Milkfist, Issue 1. (Fall 2015).
"Colonists." The Altar Collective, Vol. 8 (Summer 2015).
“Punctuation,” “Semicolon,” “Sent from My iPhone.” The Idiom, Vol. 9 Issue 2 (November 2013).
“Porcelain” and “A Blotch of Gilded Feathers.” The Gap-Toothed Madness, Issue 3 (Fall 2013).
"He the Photographer" and "Ink." Whetstone, Issue 32 (Fall/Spring 2013).
"Soldier On," "Another," and "Gossamer Skyscrapers Cannot Stand" Aisthesis Honors Student Journal, vol. 6, issue 1 (spring 2013)

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“Self-Portrait as Mothman” Stone Circle Review (Spring 2023)
“What The King's Son Knows of Royalty" The Madrigal (Spring 2023)
"Call It What It Is" The Ear (Spring 2022)
“What I Misunderstood When Captain Kirk Double-Kicked Wyatt Earp" Yes Poetry (Spring 2019)
"As Lazarus,” “Self-Portrait as Sin Eater” EcoTheo Review (Fall 2018)
"You Remember This" Atticus Review (Spring 2018)
"Seventeen Years," "Clearing the Air," "What I Could Have Been," "Where the Bells Went" Ginosko Literary Journal, Issue 19 (Summer 2017).
"Full Circle" Public Pool. (Summer 2017)
"Animals," "Real," "Stray" The Passed Note, Issue 4 (Summer 2017)
"A Lesson in Economics," "The Gutter Saints" Rising Phoenix Press (Fall 2016).
“Braille Constellations”, “One Way Mirrors” ELKE: A Little Journal (Fall 2016).
“Bleary”, “Monstro” Noble / Gas QTRLY, Issue 203.3 (Fall 2016)
“Clarity” Burnt Pine Magazine, (Summer 2016)
"Young Lovers." The Passed Note, Issue 1 (Summer 2016).
"Conclusions." Rust + Moth (Summer 2015).
"Bastard." Poemeleon, Volume 8: The Disobedient Issue (Summer 2015).
"In Plain Sight" and "Aversion." Arsenic Lobster, Issue 38 (Summer 2015).
"Forestry," "Rudderless." The Eunoia Review (Summer 2015).
“Perspective” Dirty Chai, Issue 1: Dark&Dirty (Fall 2013).
“Undone” Yorick Magazine, Volume 2 (Summer 2013)

STORIES

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ONLINE

“The Chicago of His Mind.” Whetstone, Issue 32 (Fall/Spring 2013): 35-37.

"There's Something in the Water." The Writers Arena. Issue 39.
"Contracts." The Writers Arena, Issue 13.

REVIEWS, CRITICISM, & OTHER PROSE

“Writers Welcome: The OSU Writing Center." Ian C. Williams, Lyn Broyles, Laura Tunningley, and William Tunningley. In Lynn C. Lewis's Inquiry, Research, and Argument at Oklahoma State University (2018): 15-20. Fountainhead Press.
“Fixed In Limbo: A Review of Gaylord Brewer’s Country of Ghost.” Kestrel, Issue 35 (2016): 110-111.
“Traversing Disconnection: A Review of Later, Knives, & Trees.” Kestrel, Issue 34 (2015): 146-147.
“Ghostlore: Collected by Ruth Ann Musick.” Traditions: A Journal of West Virginian Folk Culture and Educational Awareness, Vol. 13 (2012-2013): 22-30.

PHOTOGRAPHY

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ONLINE

"Cracks" and "Utility." Driftwood Press, Volume 3, Issue 2 (Spring 2016).
“Push the Merchandise.” Whetstone, Issue 32 (Fall/Spring 2013)

“Cracks”, “Utility” Driftwood Press, Volume 3, Issue 2 (Spring 2016).
“Submerged”, “Memory 1” Sediments Lit, A Haunting (Fall 2015).